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Synesthesia is the name for the circuitry in the human cortex (although certainly not exclusively human) which links the various sensory input modalities and their primary cortical centers in such a manner that the cortical projection areas are cross wired. More specifically, approximately 1/3 of the visual cortex (occipital lobes) receives inputs from the kinesthetic and auditory sensory input channels, and again, approximately 1/3 of the auditory cortex (temporal lobes) receives inputs from the kinesthetic and visual input channel...

Among some of the more common experiences involving synesthesia you find listening to music with your eyes closed and watching shifting visual images (complete with color...) associated with the music (auditory to visual mapping:hear-see circuitry), the soothing feelings experienced when listening to a speaker who has excellent command of his or her voice and constantly usestonality, rhythm, intonation contour... to enhance their presentation (auditory to kinesthetic: hear-feel circuitry), the feelings of exhilaration you achieve (especially if you have some previous experience in the particular art form andyou mirror with micro muscle movements what you are observing) watching to asuperb dancer or athlete perform exquisitely (visual to kinesthetic: see-feel circuitry)...

Some researchers use the term synesthesia rather more tightly
¡Ýto refer only to those cases where the person who is experiencing the synesthesia does so involuntarily. Inother words, in the above examples, the person having the synesthesia experience chooses to have the experience and is able, if they so decide, to terminate it. The clinical use of the term is sometimes restricted in use to person who apparently has no choice about initiating or terminating the process. We use the term more generally as it seems to us that such experiences are a natural part of the legacy of being human.
¡Ê'Whisperingin the Wind' p.167-168¡Ë

Amazon:
Whispering In The Wind
John Grinder
Carmen Bostic St. Clair
J & C Enterprises
2001-12-31



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The existence of the ordered sequences of representation that we call strategies presupposes interconnected networks of activity at the neurological level. Crossover connections between representational system complexes, such that the activity in one representational system initiates activity in another system called ¡Çsynesthesia¡Ç in NLP.

Hearing a harsh tone of voice and feeling uncomfortable is an example of auditory-kinesthetic synesthesia. Seeing blood and feeling nauseous would be avisual-kines thetic synesthesia. Feeling angry and blaming someone verbally inside your head would be a kinesthetic-auditory synesthesia. Hearing music and imagining a beautiful scene would constitute an auditory-visual synesthesia.

Synesthesia patterns constitute a large portion of the human meaning making process. Correlations between representational system activities are at the root of such complex processes as knowledge, choice and communication. The skills and abilities that humans develop in all areas, fields and disciplines are the direct result of the establishment of crossover connections between neural representational complexes. The major differences among individuals possessing different skills, talents and abilities are derived from the synesthesia correlations within their particular domains of experience.

By making these correlative patterns explicit, neurolinguistic Programming provides a working model, an for the strategic utilization of correlative patterns to secure an behavioral outcome. By identifying synesthetic sequences that lead to specific outcomes and by making them available to those who desire to achieve those outcomes we can, in essence, replicate behavior-whether that of a businessman, scientist, healer, athlete, musician or anyone that does something well. With the tools provided by NLP, we believe anyone can be transformed into a modern "renaissance" person.
¡Ê'Neuro-Linguistic Programming: Volume­µ' p.23-24¡Ë


Amazon:
Neuro-Linguistic Programming

John Grinder
Richard Bandler
Robert Dilts
Judith DeLozier
Meta Publications
1980-06-01


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2017/11/06 Pebble road (Tamajari no Michi)


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Pebble road (Tamajari no Michi)

Pebble road (Tamajari¡ö no Michi)

 

Walking in the precinct of Ise Jingu**, we notice that the approach to the shrines is covered with pebbles.

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Walking the pebble road, the subtle vibrations of the pebbles rubbing each other are transmitted from the soles of feet to the entire body, which makes us feel very comfortable. At the same time, the solemn crunch of footsteps sounds like a whisper of the nature. Looking around the pebbles covered all over the road, while we notice there are no same pebbles in size or shape, we find we ourselves are in a strange feeling as if we were floating above the clouds.

 

Usually, walking on the asphalted road, we often experience that thoughts like anxiety, hesitation and so on, occur and circulate in our mind. On the other hand, walking on the pebble road, such thoughts disappear, our consciousness spreads to the outer world, and even our five senses are transcended, accordingly we feel as if we were invited to an infinite world.

The pebble roads of Ise Jingu are said to be covered with round pebbles without edges, which were originally at the bottom of river in nature. Interesting is that the pebbles must be stones in river, not sea. Why it must be so? Probably, there is a deep reason behind it.

 

The pebble road invites us, human beings, to the sacred world, I certainly think so, walking on the pebble road of Ise Jingu.


Note:

*Tamajari means Pebbles in Japanese.

**Ise Jingu consists of two areas, Naiku¡ÊKotaijingu¡Ë and Geku¡ÊToyo¡Çuke-daijingu¡Ë, each of which has a pebble approach within its vast precinct.




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Pebble road (Tamajari¡ö no Michi)

 

Walking in the precinct of Ise Jingu**, we notice that the approach to the shrines is covered with pebbles.

 

Walking the pebble road, the subtle vibrations of the pebbles rubbing each other are transmitted from the soles of feet to the entire body, which makes us feel very comfortable. At the same time, the solemn crunch of footsteps sounds like a whisper of the nature. Looking around the pebbles covered all over the road, while we notice there are no same pebbles in size or shape, we find we ourselves are in a strange feeling as if we were floating above the clouds.

 

Usually, walking on the asphalted road, we often experience that thoughts like anxiety, hesitation and so on, occur and circulate in our mind. On the other hand, walking on the pebble road, such thoughts disappear, our consciousness spreads to the outer world, and even our five senses are transcended, accordingly we feel as if we were invited to an infinite world.

The pebble roads of Ise Jingu are said to be covered with round pebbles without edges, which were originally at the bottom of river in nature. Interesting is that the pebbles must be stones in river, not sea. Why it must be so? Probably, there is a deep reason behind it.

 

The pebble road invites us, human beings, to the sacred world, I certainly think so, walking on the pebble road of Ise Jingu.


Note:

*Tamajari means Pebbles in Japanese.

**Ise Jingu consists of two areas, Naiku¡ÊKotaijingu¡Ë and Geku¡ÊToyo¡Çuke-daijingu¡Ë, each of which has a pebble approach within its vast precinct.



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