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Presentation of Patterning

 

1. Descriptionof the pattern: asensory-grounded description of the elements in the pattern and their critical ordering (that is, the sequencein which those elements are to be applied¡Ýhistorically, in NLP, this hastaken the form of steps in a format which define what the practitioner is to do first, second...).

 

2. Consequences of the use of the pattern: a sensory-grounded description of what consequences the practitioner can anticipate through acongruent application of the pattern.

 

3. Selection criteria: the identification of the conditions or contexts in which thes election and application of this pattern is appropriate (as known at thetimeby the modeler)¡Ýfor example inthe field of change work, making the distinction between the pattern'sappropriatenessfor 1stand 2nd order changes. This description should includeany contraindications (conditions under which the pattern isexpressly NOT tobe selected and applied).

 

 

Our intention in proposing the above format, Presentation of Patterning, is to create a standard format whereby modelers can report their findings (patterning) in amanner that allows easy evaluation of their work, the ability to build on it with further patterning and a clear procedure for its application. Our inclusion of selection criteria is expressly designed to develop, refine and promote this less well-developed portion of reporting of patterning in NLP modeling. 

¡Ê'Whispering in the Wind' p.53-54¡Ë

 John&Carmen














Whispering In The Wind
John Grinder 
Carmen Bostic St. Clair
2001-12-31






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Pattern

The key unit of analysis in NLP modeling is the pattern, the natural work product of a modeling process. A pattern itself is a redundancy or, borrowing from Gregory Bateson's work,


any aggregate of events or objects (e.g. a sequence of phonemes, a painting, or a frog or a culture) shall be said to containa "redundancy" or a ¡Èpattern" if the aggregate can be divided in any way by a "slash mark" such that an observer perceiving only what is on one side of the slash mark can guess with better than random success, what is on the other side of the slash mark.... Or, againfrom the point of viewof a cybernetic observer, the information available on one side of the slashwill restrain) i.e. reduce the probability of) wrong guessing. ¡ÊGregory Bateson, Steps to an Ecology of Mind, page 131¡Ë

The work product of a NLP modeling project thenis always (minimally) a pattern.

As a common example, observe birds moving from perching behavior to flight. Their sequence always includes a point in their behavior where they push down¡¡on the surface upon which they are perched prior to achieving flight. Thus, if we were to write out a description of the bird's activities beginning while the bird isperched and terminating when the bird airborne, we would be able toplace a slash mark between the portion of the description when the bird pushes down on its perch and its achieving flight. 

The typical form an application pattern takes in NLP is a sequence (partiallyortotally ordered) of statements (for the most part injunctive as opposed to declarative) containing variables that identify what is to be manipulated and instructions indicating which operations to perform on those variables. In the context of application, the term format is often used synonymously with pattern.

A deeper analysis of the actual application patterns reveals that such application patterns areactually a series of attention points that indicate where and howto fix either the client's attention, the agent of change's attention or both.

This discussion leads us to a very specific research proposal. We urge that all patterns proposed in NLP modeling and presented in the field either in the literature or through oral presentation, satisfy the following three minimal requirements (or their equivalents)
¡Ý sptecifically:
¡Ê'Whispering in the Wind' p.52-53¡Ë

John&Carmen
















Whispering In The Wind
John Grinder 
Carmen Bostic St. Clair
2001-12-31






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